Ilze Dilane (Latvia) - Cildo Oliveira (Brazil)

Anne Vilsboell (Denmark) - Juan Eduardo Pérez Parón (Venezuela)

The idea is that this exhibition will travel around the world, it has already been in places like Brazil or Argentina, and now it arrives in Ecuador in Q Gallery.

María Elena Vial (Chile) - Renata Giannelli (Italy)

Photos by The Sphere / LAB;ORATORIUM & Alexandra Ardelean

LES FILMS DE SAINTE-ORLAN, one of the most important artistic events of 2021 in Romania, initiated and organized by SPACE INTACT and FEDERATION CENTER OF INTEREST, took place at Centrul de Interes / Center of Interest in Cluj-Napoca, at the end of last year.




LES FILMS DE SAINTE-ORLAN was an exhibition-event that proposed "a close-up view of the film as image, of the film as idea, and video as possibility in the way they are instrumentalized by one of the most important contemporary French artists. ORLAN works with the self-image, with the image itself proposing plausible but absent narratives, auto-hagiographic fictions tailored in a cinematic manner. For ORLAN, film is a possibility explored in all its dimensions: as a medium and as an artistic expression, as an image that cannot be reduced to its mediality, as an (unresolved) problem of representation, but also as a potential instrument of manipulation, as a narrative fiction and body fictionalization", we found out from the project team.



The exhibition LES FILMS DE SAINTE-ORLAN included video works produced in the last 30 years, film posters featuring real but absent famous characters, posters of films that actually doesn’t exist, soundtrack of films that will never be made, and a series of “hybrid” portraits of the artist, some of them extended in Augmented Reality. A call for film scripts, open to the public, sought to bring together scenarios (included later in the exhibition catalog) that went the other way, from the poster to the idea. ORLAN was present in Cluj at the time, participating at both the exhibition opening and the round-table in the exhibition space.




The round-table was an "art talk" with the participation of Horea Avram – Art critic and curator of the project, Associate Professor, Faculty of Theatre and Film, Babeș-Bolyai University
Julien Chiappone-Lucchesi – Cooperation and Cultural Action Advisor of the French Embassy in Romania and Director of the French Cultural Institute, Romania
Ioana Costaș – Director of the French Institute in Cluj-Napoca
Bogdan Ghiu – Writer, essayist, translator
Laura T. Ilea – Writer, essayist, Assistant Professor at the Faculty of Letters, Babeș-Bolyai University, Cluj-Napoca
Călin Stegerean – Essayist, artist, General Manager of the National Museum of Art of Romania
Florin Ștefan – Artist, Professor at the University of Art and Design, Cluj, President of the Federation Center of Interest
Yann Toma – Artist and researcher, Professor of Visual Arts at Paris 1 Panthéon Sorbonne University.

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You can still virtualy visit the exhibition here -

https://360vr.upspace.ro/LES%20FILMS%20DE%20SAINTE-ORLAN/

Mati (2021) by Paola Paredes

"Art in Social Media" is the thematic proposed for the 12th edition of the Itaú Visual Arts Award created in Buenos Aires, in its Art and Technology section. The category, inaugurated six years ago, aims at the visibility and reflection of artistic proposals by emerging Argentine artists conceived for new media and materialities. The finalists are part of an interesting exhibition at Espacio Byte, an online museum dedicated to Argentine and international digital art.

The selected works are based on the role of social media during the pandemic, fostering the connection between people, and a way of relating to the world unthinkable a few years ago. Social media was the main, and perhaps the only, way in which people could -and had the need- to show their personality, and thus relate to their environment. The most interesting thing about "Art in Social Media" is that the works are placed in different social media and other interactive platforms to intervene directly on the medium, and at the same time reflect its interactive nature.

"Proyecto Salto de Fe“, 2018

"VERDE", 2021