New Genres: exhibition

Mirela Iordache on the freedom of artistic gesture in the new personal exhibition “GESTURE FLUIDITY”

May 09, 2025 | Cosmina Marcela OLTEAN ArtPage

Contemporary artist Mirela Iordache, known for her artistic and interdisciplinary experiments, is now presenting a new solo exhibition.

The exhibition “Gesture Fluidity” is on display at Art Yourself Gallery in Bucharest and “represents the rhythm, force and spontaneity of the artistic gesture, captures the moment when thought seems to dissolve, and the hands instinctively follow their own path. The works on display are visual echoes of an organic process, in which matter and movement merge into a single matter. The techniques used emphasize the force and dynamics of materials, the interaction of pigments and other materials, with the surface of the canvas highlighting the physical imprint of the gesture from beginning to end” – the artist explains.

“The exhibition investigates the relationship between gesture and work surface in the artistic process.

The pictorial gesture is not only a technical act, but also a projection of an inner state, a dialogue between intention and accident, between order and chaos, between visible and invisible, as the gesture unfolds, the surface of the work becomes a territory of gestural memory, preserving the traces of each impulse, each rhythm of the hand that creates them.

The viewer is invited to follow this visual flow, to discover the matter and expression of the gesture that seems to flow through the impression of movement it suggests.”

Artistic practice and style

Her work covers a diverse range of styles and techniques, from photorealism and neo-expressionism to abstract expressionism, gestualism and lyrical abstract. In her creations, Mirela Iordache uses various media, including painting, engraving, collage, photography, linocut, pointe sèche, assemblage and land art. She is known for her explorations of plastic spatiality and for the integration of architectural and environmental elements in her works.

Exhibitions and recognition

Throughout her career spanning almost two decades, Mirela Iordache has participated in over 90 solo, group and collective exhibitions in Romania, France, Germany, Belgium, Japan and the Republic of Moldova. Her works have been selected for prestigious international competitions, such as the Strabag Artaward International Competition and the Triennale Européenne de l’Estampe Contemporaine.

Her recent projects include “Experiment Inside”, an exhibition presented at the Casa cu Lei in Bistrița-Năsăud, “Aterniger” at the National Art Museum of Moldova in Chișinău, “Aterniger 2” at the Bistrița-Năsăud Museum Complex, “Suspension” (Evangelical Church in Herina) and “Fragmentum Caeli” (Bistrița), which highlight the artist’s interest for the interaction between art, public space and architectural space.

In February 2024, the Bistrița-Năsăud Museum Complex awarded the artist a "Miron Duca" award for Painting, and in 2023 a "Miron Duca" award for the "Suspension" project, carried out at the Evangelical Church in Herina.

You can find out more about her artistic activity by accessing the official website.

Photos by Art Yourself Gallery

Bucharest

"Mihai Caranica. Sculptures” at MNAC Bucharest

April 10, 2025 | Cosmina Marcela OLTEAN ArtPage

"Mihai Caranica. Sculptures” is a tribute to the late artist. Born and schooled in Romania, Caranica's artistic journey was shaped at the People's School of Art. Later, his studies in Geology gave him a deep understanding of materials, allowing him to shape and texture them with precision and great sensitivity.

“I have a special relationship with sculpture as a medium. Earlier studies in Geology allowed me to have an intimate knowledge of primary materials, to anticipate their reactions to the various interventions in the process of carving. This approach shapes the very genesis of my subject matter: the stone talks to me through the language of textures and structures, directing me to the idea that would be finalised in the sculpture. Through this subtle dialog I seek a quiet harmony that satisfies both the eye and the soul.” (Mihai Caranica)

After emigrating to the United States in 1984, Caranica continued to create and exhibit his works, returning to Romania in 2014 to reintegrate the national artistic scene. During his long career, Caranica has developed a unique relationship with sculpture as a medium, drawing on his experiences in Geology to create works of a visually and emotionally impact.

"Mihai Caranica loves the stones. He feels the diversity of their structures and thrives in the variety of their colours and follows their behaviours under light. Formally, the shapes he generates are responding to the heavy impression of Brâncuși. But they are less important in themselves, being instead, more than anything, the testimony of a life spend in explorations of the powerful mysteries of nature.

And nature’s resilience is probably best expressed in the versatile manifestations of stone, a fundamental element of civilisation.” – states Călin Dan, curator of the exhibition MIHAI CARANICA. SCULPTURES.

The exhibition is organised with the support of the artist’s family and can be visited in the Auditorium Hall on Floor 4 until May 11, 2025.

Photos by Gabriela Pană / MNAC Bucharest

argentinian artists

“How not to be dead on this day": the exhibition inspired by the imaginary of horror writer Mariana Enriquez

February 19, 2025 | nadiaevangelina

At the Mite Gallery in Buenos Aires, the exhibition “How not to be dead on this day” (Como para no estar muerta con este día) displays a visual tribute to the literary universe of Mariana Enriquez, a key figure in Latin American horror literature.

With a selection of 70 works inspired by her short stories and novels, this exhibition, curated by Enriquez herself along with cultural journalist Vanessa Bell, Marina Alessio, and Nicolás Barraza, transcends the mere concept of fan art to become an aesthetic exploration of the macabre, the marginal and the supernatural.

Ph: Mite Gallery

The starting point is Enriquez's literary work, a territory in which urban violence, gothic terror, and the death drive coexist. From these elements, the participating artists visually reinterpret his stories, translating the horror and beauty of his prose into images that oscillate between the explicit and the suggestive. It is a dialogue between word and image that manages to capture the essence of his writing: the visceral, the spectral, and the profoundly human.

One of the most striking aspects of the exhibition is its stylistic diversity. There are hyperrealist illustrations that freeze key moments of his stories with shocking rawness, but there are also expressionist pieces that deform faces and bodies beyond recognition. In this sense, the exhibition avoids falling into a repetition of obvious images and offers a broad view of how different creators perceive terror in Enriquez's work. The predominant chromatic palette reinforces this disturbing tone: deep blacks, saturated reds, and shades of gray that evoke decay, decadence, and mystery.

Ph: Mite Gallery

However, what is most accomplished about “How not to be dead on this day” is not only its visual power but its ability to build an atmosphere that feels genuinely rooted in Enriquez's literature. The arrangement of the works in the space, the dim lighting, and the ambient sound contribute to the sensation of walking through a liminal space, a border between the real and the fantastic.

More than an exhibition of fan art, this show stands as an exercise of appropriation and reinterpretation in which Mariana Enriquez's literature becomes raw material for new visual narratives. A journey through these 70 pieces is, ultimately, an invitation to look at horror from a different perspective, to inhabit it and redefine it through art.

"How not to be dead on this day"

Location: Av. Córdoba 380, C1054AAP Cdad. Autónoma de Buenos Aires (Argentina)

Opening Date: 7th December 2024

End Date: 7th February 2025

Working hours: Wednesday-Friday: 3pm to 7pm

Official website:

https://www.mitegaleria.com.ar/

https://www.instagram.com/mitegaleria/

Argentina

Jazmín Berakha: Between Thread and Modernity

June 30, 2024 | nadiaevangelina

"Odaraia" is the solo exhibition of Argentine artist Jazmín Berakha held in Room 5 of the Centro Cultural Recoleta, curated by Javier Villa. The exhibition is dominated by tapestries, drawings, and collages, and is part of the new program of the cultural center that brings together four artists who explore in depth the representation of the body in contemporaneity. By allocating several rooms to the visual arts, these exhibitions seek to generate a dialogue and an opening to the imagination between the bodies present and those represented.

Berakha is one of the pioneer artists in the contemporary reworking of disciplines such as embroidery, tapestry, or patchwork, techniques that had been relegated to the domestic sphere. "Odaraia is a prehistoric animal that by chance did not evolve and I took that name because in my work there is also evidence, of incomplete bodies," explained Berakha. Her compositions intermingle geometric abstraction, anthropology, and fashion, to reimagine the body and femininity from elastic figurations permeable to constant variation. As if with her hands she sought to test new models of evolution; tests of unpublished entities that, like Odaraia, were possible but fell by the wayside.

The abstraction can be a background, the plot of a body, or a face; a shoe with a heel can become the protagonist, just a detail or the engine of an action; while the faces go from the ritual mask to the makeup, they are simply floating mouths and eyes. What Berakha always sustains is a manual, time-consuming labor that seeks both the precision required to gestate a new entity and the freshness of always testing and rehearsing on the same fertile ground of its existence.

Berakha has managed to transcend the traditional boundaries of embroidery, transforming it from a craft technique into a powerful tool for artistic expression. From her earliest works, Berakha has shown a deep respect and appreciation for traditional embroidery techniques, learned in part from her family. However, her work is not limited to the repetition of inherited patterns; instead, she reinterprets and recontextualizes them, creating pieces that dialogue with the present and reflect on identity, memory, and visual culture.

Berakha's art is characterized by his meticulous attention to detail and his ability to merge the ancient with the modern. Her works often feature vibrant, geometric compositions that evoke both pre-Columbian textile art and contemporary graphic design. In her hands, the thread becomes a versatile medium capable of conveying complex visual narratives.

"Odaraia" is a celebration of Berakha's work, an artist who has found in embroidery a language of her own, using thread and needle to weave not only images but also ideas and emotions. Her work is a testament to the power of art to connect past and present, and a celebration of creativity and tradition in an ever-changing world.

"Odaraia"

Location: Recoleta Cultural Center, Junín 1930, C1113 CABA, Buenos Aires (Argentina)

Opening Date: 19th March 2024

End Date: 19th June 2024

Working hours: Tuesday-Friday: 1.30pm to 10pm

Saturday-Sunday: 11.15am to 10pm

Official website:

http://www.centroculturalrecoleta.org/

https://www.instagram.com/elrecoleta/

Artist:
Jazmín Berakha

Argentina

Modern and MetaModern: 300 exhibited works from the heritage of the Museo de Arte Moderno de Buenos Aires

June 06, 2024 | nadiaevangelina

“Modern and MetaModern” is the mega-exhibition that brings together 300 of the greatest works from the heritage of the Museum of Modern Art of Buenos Aires, Argentina. In an ambitious setting, the exhibition offers an artistic panorama of the last sixty years and proposes to trace the history of the institution, which has more than 900 pieces in its patrimony. It took the curators more than two years of work, but the result is more than achieved and the public has at its disposal some works that were frequently exhibited in recent times (Greco, some Leon Ferrari, some Minujin), or young emerging artists such as Chola Poblete), but also jewels that due to volume or requirements have not been exhibited for a long time, such as an important installation by Liliana Maresca dedicated to the conquest of the American continent.

In almost all the works there is a QR code that leads to different portals and minisites of the museum where you can get more information. This is thanks to the fact that in recent years, the museum began the process of cataloging and digitizing the documents linked to its historical exhibitions and made the results of this work available to the public on its website. “Modern and MetaModern” unfolds as a meta-exhibition where each work or set of works exhibited, literally opens as a portal to information about the museum's historical exhibitions in which each piece or artist participated or about the research carried out and captured in books and audiovisual records. Through these QRs, you can also access different research carried out over the years by the institution's team of curators and researchers. The museum emphasized that the idea of this year is to consider art as a vehicle for knowledge about reality and about ourselves, and imagination as an engine for human and educational development.

Of the rooms, the central one is dedicated to the two movements that the Modern houses with more zeal: abstract art and informalism. The exhibition does not have a chronological criterion, since the idea is to show that both these movements and others are important because they occurred almost in parallel. The central idea is to represent a powerful local art scene and a reflection on a city that grows by creating and whose artists spoke on an equal footing with the rest of the planet. According to the museum's director, art is produced today with the same vigor as in times past and she wonders if more support is needed. For this reason, the Museum of Modern Art took on the challenge of gathering 700 portfolios of top artists in just three weeks.

Modern and MetaModern is an excuse to also exhibit some of the Museum's most recent acquisitions. Some of them come as a corollary of other exhibitions of the past, “completing” them, in a certain way and a posteriori, with the acquisition of works or their donation by the artists or their relatives, a sample of how the institution built its link with art.

"Modern and MetaModern"

Location: Museum of Modern Art of Buenos Aires, Argentina, Av. San Juan 350, C1147 AAO, Buenos Aires (Argentina)

Opening Date: April 2024

End Date:January 2026

Working hours: Monday: 11am to 7pm

Wednesday-Friday: 11am to 7pm

Saturday-Sunday: 11am to 8pm

Official website:

https://museomoderno.org/

https://www.instagram.com/modernoba/

Participating Artists:

Susi Aczel, Roberto Aizenberg, Julián Althabe, Nicanor Aráoz, Carmelo Arden Quin, Pompeyo Audivert, Sergio Avello, Mercedes Azpilicueta, Elba Bairon, Ernesto Ballesteros, Daniel Basso, Carlota Beltrame, Antonio Berni, Martín Blaszko, Inés Blumencweig, Sofía Böhtlingk, Ricardo Carpani, Juan Cavallero, Luis Centurión, Laura Códega, Eugenia Crenovich (Yente), Washington Cucurto, Flavia Da Rin, Jorge de la Vega, Sergio De Loof, Ernesto Deira, Juan Del Prete, Hugo Demarco, Germaine Derbecq, Mirtha Dermisache, Noemí Di Benedetto, Juan Carlos Distéfano, Matías Duville, Ana Eckell, Marcelo Epstein, Noemí Escandell, León Ferrari, Arnoldo Gaite, Ana Gallardo, Ricardo Garabito, Santiago García Sáenz, Nicolás García Uriburu, Noemí Gerstein, Edgardo Giménez, Alberto Goldenstein, Guillermo González Ruiz, Alberto Greco, Graciela Hasper, Alberto Heredia, Alfredo Hlito, Enio Iommi, Kenneth Kemble, Guillermo Kuitca, David Lamelas, Julio Le Parc, Martín Legón, Reinaldo Leiro, Catalina León, Valentina Liernur, Lucrecia Lionti, Alfredo Londaibere, Raúl Lozza, Eduardo Mac Entyre, Rómulo Macció, Víctor Magariños, Jorge Gumier Maier, Tomás Maldonado, Liliana Maresca, María Martorell, Juan Melé, Gian Paolo Minelli, Marta Minujín, Jorge Miño, Oski, Eduardo Painceira, César Paternosto, Luis Pazos, Máximo Pedraza, Martha Peluffo, La Chola Poblete, Rogelio Polesello, Alfredo Prior, Emilio Renart, Juan Pablo Renzi, Juan Carlos Romero, Rubén Santantonín, Eduardo Serón, Aldo Sessa, Carlos Silva, Pablo Siquier, Oscar Smoje, Juan Stoppani, Pablo Suárez, Luis Terán, Luis Tomasello, Silvia Torras, Gabriel Valansi, Georges Vantongerloo, Gregorio Vardánega, Miguel Ángel Vidal, Edgardo Antonio Vigo, Sesostris Vitullo, Luis Alberto Wells, Horacio Zabala, Pablo Ziccarello and Rosario Zorraquín.

Argentina

“Private Function”: performance and painting of lonely people

May 22, 2024 | nadiaevangelina

“Private Function” is the exhibition of Argentine artist Bruno Gruppalli, curated by Javier Villa at the Centro Cultural Recoleta. The artist exhibits large-format paintings starring solitary characters seated at the table of a café concert, where he experiments with new protocols of use and perception of pictorial space. The exhibition is part of a renovation proposal for the cultural center that is based on a series of individual exhibitions of mid-career artists and tributes that recover their past. In its refurbished rooms, it seeks to integrate a wider and more diverse public.

Gruppalli, who has previously worked with other media such as performance and sculpture, proposes a kind of novelty as he reveals to a wide public his recent facet as a painter. The artist brings together portraits and still lifes with (not so) veiled references to the world of art and counterculture in a room with a café concert atmosphere that includes a stage. The audience of “Private Function” is invited to step onto a stage while the characters created by Gruppalli watch from their respective tables, each one decorated with flowers and objects that evoke the history of art.

Around a series of self-portraits and compositions with seated characters, the artist builds a café concert scene that puts into play the pose and the relationships we build with objects. Bananas, shoes, vases, small busts, and record covers create somewhat encrypted surfaces of pleasure, which indicate a world of references linked to the history of art and counterculture of the twentieth century, where Picasso, Buñuel, Brancusi or Andy Warhol cross with some local icons such as Virus, Los Redondos or Rosario Bléfari. According to the artist, the interesting thing is the dialogue between a countercultural record like “Oktubre” by Patricio Rey y sus Redonditos de Ricota, which is printed on many T-shirts, and the most canonized art.

In “Función Privada”, the painting has not been confined to the wall but is presented as part of the construction of a scene; essential to the meaningful articulation of the space where the bodies of the spectators can relate to the bodies represented in the territories of the night. They are spaces in which the penumbra counts at the time of constructing sensations and senses. Each character enigmatically represented in a corner or seated at a table is waiting for the beginning of the show in front of an empty stage. The atmosphere is very surreal, something that is affirmed by the sum of references that also operate as winks to the spectator. These are key to deciphering quotes from the history of art or popular music.

According to the curators, the Recoleta Cultural Center's 2024 program begins with four artists who explore in depth the representation of the body in contemporary times. The selection was based on a search for empathy with the bodies that have been present at the cultural center in recent times, through urban dance experiences, shared workspaces, and recreational activities. By allocating several rooms for the visual arts, these first exhibitions seek to generate a dialogue and an opening to the imagination between the bodies present and those represented.

"Private Function”

Location: Recoleta Cultural Center, Junín 1930, C1113 CABA, Buenos Aires (Argentina)

Opening Date: 19th March 2024

End Date: 19th June 2024

Working hours: Tuesday-Friday: 1.30pm to 10pm

Saturday-Sunday: 11.15am to 10pm

Official website:

http://www.centroculturalrecoleta.org/

https://www.instagram.com/elrecoleta/

art talk

Ecology of the After Life

May 10, 2024 | Cosmina Marcela OLTEAN ArtPage

At Anca Poterasu Gallery in Bucharest (RO) is now ongoing the group exhibition "Ecology of the After Life", on display until 1st of July, curated by William Ewing, including artworks by the great comtemporary artists Matei Bejenaru, Ioana Cîrlig, Aurora Király, Iosif Király and Delia Popa.

The opening included a AFAR Talk, a discussion about photography with curator William Ewing in dialogue with artist Iosif Király, followed by the opening of the group exhibition.

"The curator-artist discussion focused on photography - its rich past, turbulent present and uncertain future(s). The dialogue was followed by the opening of the group exhibition 'Ecology of the After Life', a project that revolves around recurrent and obsessive questions regarding human existence, science, nature's resilience, and the echoes of our actions" - the gallery informs.

"The exhibition serves as a metaphor for the regeneration of life as a whole, exploring not only human existence but also the intricate connections between organisms that sustain life on Earth. From Aurora Király's landscapes to Delia Popa's introspective reflections, Iosif Király's blurring of reality and fantasy, Ioana Cîrlig's documentation of coal miners, and Matei Bejenaru's chronicles of forgotten spaces, Ecology of the After Life contemplates the interconnectedness of living beings." - curator William Ewing

Artwork: Matei Bejenaru, Between Two Worlds_ICMET Craiova_03, chromogenic print, Diasec, 120x175cm, 2019, Ed.1/5+2AP.

The talk was organized by ARAC and Goethe-Institut Bucharest in the framework of AFAR Network project.

Artists for Artists Residency Network (AFAR) is an EU co-funded project and residency program, aiming to improve the mobility of contemporary visual artists and curators in Romania, Germany, Croatia, and Austria.

The project is led by the Romanian Association for Contemporary Art (ARAC) with its three consortium partners – Goethe Institute Network, Croatian Association of Fine Artists, and Künstlerhaus Vienna. www.afarnetwork.com

Artwork: Aurora Király, Ecology of the After Life, 70 x 105 cm, 2024.

Artwork: Aurora Király, Ecology of the After Life, pigment print on hahnemühle photo rag ultra smooth paper, 70 x 105 cm, 2022-2024.

Photo credits - Anca Poterasu Gallery

Argentina

"How much does love weigh?”, a mega exhibition about love at the Recoleta Cultural Center

May 09, 2024 | nadiaevangelina

"How much does love weigh?”, many of us may have asked ourselves at some point in our lives. From this premise, this mega-exhibition brings together more than 60 artists from around the world who wonder about love. Curated by Daniel Fischer, the new exhibition at the emblematic Recoleta Cultural Center is much more than a simple collection of artworks; it is a space for introspection where love is examined, and it examines us from multiple perspectives.

Courtesy of Recoleta Cultural Center

With large-scale installations, paintings, sculptures, videos, textual fragments, photographs, and even pieces of jewelry, each work offers a unique window into the complexity of love. Through the selected works, the exhibition seeks to capture the very essence of love and explore its different manifestations, from nostalgia to unbridled passion. According to the curator, “Love and art are two ways to release the death drive. They help to calm anguish and to transcend on the path of life.”

The exhibition is organized into three cores: life, death, and spirituality. That said, love can be soft like a giant ball of wool, according to Teresa Pereda's work. Love can also be light like the sound of openwork papers shaken by the breeze in the courtyard, by Manuel Ameztoy; or a hammock waiting to be used by Alexandra Kehayoglou. For his part, Vicente Grondona depicted lovers charred by a kiss; Edgardo Giménez painted a paradise, and Marta Minujín, everything that happens on a multicolored mattress. It can also be sad, like the work that shocked Yuliana, Mar de lágrimas, by Pablo Suárez.

Teresa Pereda

Claudia Casarino

Pablo Lehmann and Pablo Suaréz

Nicola Costantino represents motherly love as something visceral. Some of that is also present in Charly Herrera's work, a mega-installation that is a tribute to her father, a florist. You can enter and discover details such as stamps, mirrors, and bottles. Fabiana Larrea threads words on a mural ñandutí to understand what love means. Inspired by the death of her father in a pandemic, a simple kiss may be what love is all about.

Good love, yes, sometimes hurts. In a painting, Daniel Garcia bids farewell to his beloved Gilda Di Crosta: he hides her portrait in a vase of flowers. Worse is not to have known love. In Débora Pierpaoli's work, there are two portraits united: she picks up an Eastern tradition of marrying in the cemetery the dead who have no family so that the souls do not perpetuate their loneliness.

Nicola Costantino

Nicolás García Uriburu

“How much does love weigh?” continues Daniel Fischer's curatorial proposal to explore universal but also contemporary themes through diverse languages and aesthetics, bringing together Argentine and international, contemporary and historical artists.

"How much does love weigh?”

Location: Recoleta Cultural Center, Junín 1930, C1113 CABA, Buenos Aires (Argentina)

Opening Date: 18th April 2024

End Date: -

Working hours: Tuesday-Friday: 1.30pm to 10pm

Saturday-Sunday: 11.15am to 10pm

Official website:

http://www.centroculturalrecoleta.org/

https://www.instagram.com/elrecoleta/

Artists:

Carlos Alonso, Manuel Ameztoy, Amalia Amoedo, Mónica van Asperen, Gabriel Baggio, Fabiana Barreda, Fabián Bercic, Antonio Berni, Delia Cancela, Claudia Casarino, Ailí Chen, Cynthia Cohen, Guillermo Conte, Nicola Costantino, Ángela Copello, Flavia Da Rin, Petu de Mareca, Celina Eceiza, Sara Facio, Yanina Faour, León Ferrari, Mónica Fierro, Juan Manuel Figueroa Aznar, Yiyú Finke, Ana Gallardo, Daniel García, Nicolás García Uriburu, Edgardo Giménez, Sara Goldman, Carlos Gorriarena, Vicente Grondona, Yuyo Gardiol, Carlos Herrera, Roberto Jacoby, Daniel Joglar, Alexandra Kehayoglou, Fernanda Laguna, Fabiana Larrea, Pablo Lehmann, Marcos López, Matilde Marín, Hernán Marina, Ulises Mazzucca, Paloma Mejía, Ad Minolitti, Marta Minujín, Alejandra Mizrahi, Margarita Paksa, Alberto Passolini, Teresa Pereda, Susana Pérez, Débora Pierpaoli, Liliana Porter, Claudia del Río, Silvia Rivas, Josefina Robirosa, Anatole Saderman, Soledad Sánchez Goldar, Jéssica Sandoval, Diana Schufer, Paula Senderowicz, Paola Sferco, Cindy Sherman, Paulina Silva Hauyon, Elisa Strada, Pablo Suárez, Mariana Tellería, Clorindo Testa, María Torcello, Paula Toto Blake and Luis Wells.

Mirela Iordache on the freedom of artistic gesture in the new personal exhibition “GESTURE FLUIDITY”

"Mihai Caranica. Sculptures” at MNAC Bucharest

“How not to be dead on this day": the exhibition inspired by the imaginary of horror writer Mariana Enriquez

Jazmín Berakha: Between Thread and Modernity

Modern and MetaModern: 300 exhibited works from the heritage of the Museo de Arte Moderno de Buenos Aires

“Private Function”: performance and painting of lonely people

Ecology of the After Life

"How much does love weigh?”, a mega exhibition about love at the Recoleta Cultural Center

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